Thursday, May 28, 2015

Tunnel Books: From Flat to Fabulous! (with classroom-ready downloads)

by Elizabeth Van Allen  for scribblesbyartteachervanallen.blogspot.com
left: Rough Draft/Sketch                       right: Finished Project
My name is Liz and I am a Book Art geek.  
Not a nerd, there's a difference (see Venn diagram).  The book art bug bit me in college when I took my first printmaking course.  I had no idea what to expect, but by the second class I was hooked. 
Nerd v Geek clarification
via Venn diagram

from http://english.stackexchange.com/
questions/91892/nerd-vs-geek-vs-dork

How did I know that I was totally geeking out and not just enjoying it casually?  By Senior year my medium of choice was lithography (stone, not plate).  For the 99.9% of you out there who haven't a clue what the last few sentences actually meant and are curious, you can follow this link.  Otherwise just take my word for it, stone lithography is not for the casual dabbler.

So... what is this 'Book Art' thing?  According to Alisa Golden, "Book Art is artwork inspired by qualities or concerns of a book such as, but not limited to: sequence, opening, text/image, flow, rhythm, shape or form, movement, interactivity, memory, layering, breathing, revealing/concealing, relationship of materials and structure to content." To simplify that very eloquent and spot-on definition, Wikipedia condenses it to "works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects."  To get a clearer view of the true breadth of what Book Art is and can be, I recommend doing a quick image search on "Book Art" or "Book Arts".  What comes up is a broad array of different book forms, illustrating the wide variety of expressive means that book arts have to offer.

To go from geeking out about printmaking to geeking out about book arts is a pretty natural progression.  They have a lot in common, and one is often used either with or as a catalyst for the other.  There is something magical about holding a piece of art that you made in your hands and being able to experience it with multiple senses at one time.  This is one of the reasons that I try to provide all of my students an experience with some type of book arts.  (Get it- some TYPE of BOOK arts?  Never mind.)  I like to spread the book arts love, so please folks: try this one at home!

Tunnel Books: 
Transforming Flat into Fabulous!
I use this mass produced tunnel book
to show my students just how far you can
push our project.
(bought from amazon)
Click to access: Lesson Plan

INTRODUCTION
Click to access: PowerPoint
When starting art projects with my students, I normally pair background information on the technique or artist that I'm showcasing with some type of written and/or drawn planning.  This tunnel book lesson starts out with examples of professional and student-made tunnel books, then a powerpoint that includes vocabulary and relevant artwork. 

PLANNING THE BOOK
above: a color-coded rough draft
Students plan what goes 
where in their book both 
visually and in written form.  
Click to access: Planning Sheet
Now that we know a little more about the project, we start our planning phase.  First, come up with an idea or theme.  It could be as simple using just shapes and colors, as focused as making a layered reproduction of a favorite painting, an easy straightforward landscape, or very focused on the student's interests (school subject, Mario Kart, food, fashion... you get the idea).  Next, sketch it out.  Don't get too detailed or spend a lot of time on this step, just get those ideas on paper.  After that, separate the drawing into layers by outlining with pre-determined colors.  Color coding on the rough draft helps students to identify what part of their drawing they should show in which layer.  Without this step they tend to get a little confused when they get farther into the project.

BOOK CONSTRUCTION
Materials:

  • Pencils
  • Coloring materials
  • Glue or glue sticks
  • Scissors
  • Rulers
  • Something to store the project in- I used brown paper lunch sacks.
  • Collage materials (optional)
  • 5x7 or larger card stock or blank notecards: At least 5 per student, the same size will be used for all parts of the book.

  • Steps
    1. Background
    The background includes everything not outlined in a warm or cool color on the rough draft.  Keep it simple, very little of the background will be seen in the finished tunnel book. 

    OPTION: Step 4 (accordion side bindings) can be done immediately after step 1, with step 5 (book assembly) happening as each layer is completed.

    2. Middle Ground
    Only include in the middle ground what was outlined in a cool color on the rough draft.  This part can be made of multiple layers.  Do not color in the whole paper, as much of it will be cut off and thrown away.  Unless you are assembling your book as the layers are finished, do not cut out your middle ground layers until you are at step 5.

    Helpful Hint: To make an object appear to be suspended in the middle of the book, include a strip of background-colored paper that extends from that object on both sides all the way to the edges of the paper.  When the book is assembled it will blend in, making the object appear to float in the middle. (see the stingray/skate in the middle ground illustration below)
    left: The Background                         right: The Middle Ground 
    does not include much detail.               can include multiple layers.
    (anything from the rough draft             (outlined in a cool color on 
    that was not outlined)                          the rough draft)
    3. Foreground & Frame

  • Draw a rectangle no less than 1 inch in from the edge of the paper to make a frame.  Remove the inner rectangle after all drawing / decorating is complete. 
  • Shortcut: Place a ruler on your paper so that one long side lines up with the paper's edge.  Holding it in place, trace the parallel long edge of the ruler.  Repeat on the remaining 3 edges of your paper to create a perfectly even, rectangular border or frame.


  • Only include what you outlined in a warm color on the rough draft.  Do not color in the whole thing, as this will waste time and energy.

  • Your foreground can be just the frame or it can include another layer just behind the frame.  How much foreground you include is negotiable, but there must be something across the front to hold the book's shape.  

  • Using overall color(s) on what will 
    become the inside of the accordion 
    bindings really ties the book together!
    4. Accordion Fold Two Identical 
    Side Bindings 
    See the "Tunnel Book: Accordion Folded Sides" instruction sheet below.  Consider lightly applying a color to the future inside of the book (see picture at right).

    5. Assemble the Book
    See the "Putting It All Together" instruction sheet below.  
    left: The Foreground (& frame)    right: Fully Assembled Book
    usually includes all 4 sides.              with a top view drawn just below.
    (Red outline in the rough draft)
    above: Another set of 
    slightly altered instructions 
    from artbookscreativity.org 
    that illustrates how to 
    assemble a tunnel book. 
    above: Slightly altered 
    instructions for making 
    identical, accordion-
    folded sides.  You can 
    find the original on
    art, books and creativity
    a site from the national 
    museum of women in the 
    arts that focuses on arts 
    learning in the classroom.
    This is a real student project.  I recreated each step as they appeared before the book was assembled to help my budding artists visually understand the process.  The student examples that I show are not the most beautiful or advanced ones, they are the ones that were left behind.  This was an average outcome for this project- having positive expectations keeps my students productive.

    What type of art grabs your attention and imagination?

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