Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts

Thursday, January 29, 2015

Winning The Paperwork Game

Apple crates make great shelves. 
by Elizabeth Van Allen 
scribblesbyartteachervanallen.blogspot.com

Work smarter, not harder.  If you teach multiple classes like I do (26 each week, thank you very much), do yourself a favor and streamline all of those required plans and charts into one multi-purpose document.  I finally figured this out during my 8th year of teaching and my daily life miraculously got less complicated.  I now have 10 weeks of attendance, seating, behavior and planning on one double sided sheet of card stock (see pictures below).  My binder stays with me wherever I go.  I have a much better memory for patterns than names, so when I see a student in the hall I usually associate them with the weekday/grade/period/seat that pertains to them.  I flip to the appropriate chart and can address them by name when I greet them.  

Re-think your format and reclaim wasted space.  What's the point in wasting the left half of your open notebook with the back of another form?  Hole punch the sheet you use for grades, phone call logs, or whatever else you need to have close at hand during class on the right side instead of the left.  Insert it face-to-face with the attendance/seating/planning chart and you'll have all the information you need directly in front of you at all times.  Are you a lefty?  Switch sides so that your most frequently used document is on your dominant side.  As you use up both sides of your charts and need fresh ones, put the old ones in another binder for future reference.

I recently attached a wired pen to my binder, now I always have something to write with!

Log breaking news as it happens.  If you're not keeping detailed records on each student you're leaving yourself open for disaster.  That being said, there are only so many hours in the day.  I don't know about you, but I am not devoting my precious class or personal time to writing full sentences about student behaviors.  Develop a system of symbols and/or letters that stand for common behaviors and note them directly next to that student on your seating chart and/or class attendance documents.  

Get out your magnifying glass and look at the bottom of this image.
The information entered in the boxes under seats A & B at each table
refer to the
 date found in the corresponding box at the top left of the form.
Under the weekly planning area is a line with my own codes for attendance and common student behaviors.  I use T for talking (out of turn, way too loud or over instructions), U for up or wandering, WO means that the student walked out of class without permission, is talking back/bad attitude and WS stands for sitting in the wrong seat.  Usually I indicate good behavior with one or more + signs or a word like 'helper'.  NEVER forget to mark down positive behavior, and make sure to tell your students that you do this.  Showing them the +'s next to their names really drives the point home and reinforces your good intentions.

Helful hint:  One slight change that I strongly suggest making in your attendance routine is to substitute a dot for the usual check mark indicating that a student is present and on time.  This small shift reduces your visual clutter and makes it less confusing if you ever use a -/checkmark/+ system for homework or classwork.  

Keep records of all calls to one parent in one place.  I was given a document years ago that was invaluable in logging my parent contacts, mostly due to it's simplicity.  To create an effective, streamlined parent contact form I suggest formatting it with a heading of contact information and columns underneath.  I like having 5 columns: one each for a phone call's datetimereason/purposewhether or not the guardian could be reached, and who you spoke to about what. When applicable I use the code LM for left message.  You can fill them out as you need to or have the students write in their own contact info on the first day of school in lieu of a 3x5 card. 

Security note:  I often call parents from my classroom on my cell phone using *67 to block my personal contact information.  This keeps students honest by not giving them the option to get my number from an adult's phone.  It also keeps me from getting after hours calls Each student number is labeled as Parent-FirstnameLastname in my contact list.   To find a parent contact, all I have to do now is go to the 'P' section and scroll down to the student's name.  
A big thank you to Ginna D'Alba- starting the name with 'parent' was her idea!

Bonus Tip: Once you have forms that really work for you, keep the originals all together in one place.  I have a 'Necessary Forms etc.' binder that I go to several times a year.  Inside I keep a copy of every log, chart, form, and evaluation/rubric that I use.  I always have my most current welcome letters and first-day-of-school plans, and there is a section in the back for invaluable and pertinent info that I don't want to lose.  I also include office papers that never seem to be there when you need them like fax cover sheets and maintenance request forms.  I often write the word original across the top in yellow highlighter because it doesn't show up in black and white photocopies and ensures that you won't use the form accidentally.  


How have you streamlined or simplified your frequently used files for the sake of sanity?

Thursday, January 15, 2015

Cure Chronic Same-question-itis!

http://exhibits.hsl.virginia.edu/nerves/
by Elizabeth Van Allen 
scribblesbyartteachervanallen.blogspot.com

Are you tired of hearing the same questions from students that you've heard a hundred times before?  Do you have to resist a frequent urge to scream "How didn't you hear me the first 3 times!?"  Do you wake yourself up at night uttering phrases you never thought you'd say outside of the classroom?  If you answered yes to any of these questions, you might have Samequestionitis.

Samequestionitis is a common ailment among teachers.  Side effects include general irritation, the urge to walk away from raised hands, and pulling out your own hair in response to persistently feeling as if you're talking to a wall.  If left untreated, this ailment could lead to consistently bad days, louder-than-is-socially-acceptable vocal volume levels and increased blood pressure due to chronic frustration.  
http://bestteacherblog.com/funny-teacher-memes/
Elementary Samequestionitis Cure
There is a cure!  Clear visual examples and easy to read directions in a dedicated area of your classroom will clear up most side effects within a short period of time (results may vary).  Avoid developing tennis elbow due to repeated pointing motions towards your new board by using phrases like "take a look at the direction board" or "Where could you find the answer to that question on your own?"  In rooms that cater to several different grades or age groups, try breaking up a bulletin board into several sections with wide ribbons or bright sentence strips.  If students still don't get the hint, try posting giant neon arrows with phrases like 'look here' and 'your questions answered here'.  If all else fails, make a hand held sign that says 'read the directions'.
Middle School Samequestionitis Cure / Project Board

 What solutions have you found for the common ailments native to your workplace?

Thursday, December 18, 2014

Artsandcrafts: the Candy Bar of the Art World

by Elizabeth Van Allen
scribblesbyartteachervanallen.blogspot.com/

When I was young, 'artsandcrafts' was both one word and one subject.  You went to a room/cabin/table/tent, made something fun and walked away with it.  There was no differentiation between aesthetic and functional value.  To be honest, beyond the satisfaction of making something fun or pretty, value of any type -stated or implied- wasn't something that was even touched on.  I understand that this is a more important issue to me as an artist and an art teacher, but I like to make sure my students (and anyone else who will listen) know the difference between 'art' and 'craft' as two separate entities.
http://teachbytes.files.wordpress.com/
2013/02/venn-diagram.jpg

Arts and crafts is not so much a single grouping as it is the title of a Venn diagram.  For the non-initiated, a venn diagram is one of those organizational chart thingies with the two overlapping circles that shows the commonalities shared between two ideas or objects.   
Art-making supplies

The 'Art' category includes expressions and applications of imagination and creative skill that are primarily created for their beauty or emotional power. Paraphrased from google's answer to my search phrase 'definition of art', this best states the nature of art more way more succinctly than I could after literally hours of research on this exact topic over the years.  For the layman, think objects, environments and performances that are created to make you feel a certain way or think about something specific.
Crafts and the materials
they are made from

The 'Craft' side of the diagram includes activity involving skill in making things by hand.  As you may have guessed, I googled that one too.  Why reinvent the wheel when so many people have customized wheels just waiting to be used?  And, if you were wondering, creating customized wheels would be a craft. In layman's terms that means that a craft is usually a functional object fabricated by a real human being, and that it was made using great skill. Think ceramics, weaving, wood working, etc.

Going back to our Venn diagram, for something to qualify for inclusion in the overlapped middle section it would have to be both art and craft.  That means that a highly skilled artisan would have to take their craft beyond function to a place where it was also an expression of a concept or emotion.  As you could imagine, examples of this are fewer and farther between than one might have initially expected.


'Artsandcrafts' supplies
Artsandcrafts is about as similar to Art or Craft as a penguin is to a hawk.  They both share most of the same basic parts, but their function is much, much different.  Artsandcrafts is when you make a fun, sparkly picture.  If that picture were art, it would have purpose and meaning and be well made.  If it were a craft, the picture would probably be three-dimensional and intended for some type of a functional purpose.  While artsandcrafts are usually fun and flashy, for the most part they just don't have the educational or long-term value that a true artwork or a craft does.

So where does artsandcrafts fit into our Venn diagram?  Artsandcrafts is more like the fun picture doodled in the margin of the paper where you drew the diagram.  It's worth is more in practicing a few basic skills that support your art- and craft- making practice than in the finished work itself.  That being said, there is a lot of value in both experimentation with different supplies minus the pressure of creating actual content and the enjoyment you get out of making something just for fun.  While the practice of artsandcrafts might not fit in with the real meaning of art or craft, that doesn't mean you can't enjoy it for what it is... the candy bar of the art world.


Side note/disclaimer: Artsandcrafts should never be confused with the Arts and Crafts movement, a late 19th century push for careful hand craftsmanship and careful attention to overall and decorative design.

Thursday, December 11, 2014

Arts Integration: Geographically Speaking

by Elizabeth Van Allen
This batik-style piece was inspired by
the images and stories I shared with
students from my experience
studying art in Bali, Indonesia.

Teaching subjects out of context has never made any sense to me.  In real life no engineer separates out math, science and visual representation into individualized time slots.  These areas come together seamlessly because they need to.  It is important to have a functional understanding of each subject on its own, but students need a better grasp on how subject areas relate to each other in the real world.  Demonstrating the symbiotic relationship between areas of study has become an unofficial mission of mine.  I've come across many people who don't quite understand how art could possibly be so intertwined with the 'core' subject areas that are taught in school.  For those of you who are still wondering, I'd like to shine a light on the interdependence of art and other subject areas.  Today I'll start with my personal favorite, geography.

The foundation for this project was built by
reading about mandalas found in Tibetan,
Navajo, European and Aztec cultures. 

Art without geography is like tape without adhesive.  It's can be highly visible or blend in with it's environment, durable or expendable, but it has no real purpose.  Geography brings context to art.  It provides cultural insight, especially when combined with regional historical timelines, and allows the viewer to understand the intent of the artist or craftsman that produced the work.  Cultures are influenced first and foremost by their global location.  The geography (and topography) that surrounds a group of people determines the context within which their traditional art and craft would be created.  Historically speaking, it also determines the most common method of expression based on what materials were most readily available and which ones were valued more highly due to scarcity.  In other words, a non-nomadic, forest-based culture would be more likely to use wood as a medium of choice due to availability and stability.  A more nomadic plains- or desert-based culture might use more lightweight and easily portable mediums such as textiles, reserving heavy and/or costly wood or metal items for those who could afford the animals to carry them as their social group migrated. 


Students were fascinated by Huichol Nierikas
from Mexico and were excited to make one of
 their own.  This project depicts an important
ritual in one student's life, visiting her
grandmother in the islands each year.
The importance of the influence that geography has on a culture and their arts can not be overstated.  Historically speaking, knowledge that would otherwise have been lost through translation and time lives on through the art and craft that each group of people leaves behind.  Speaking in a more modern context, art does more than just define the unique cultural differences between us.  It also helps illustrate the similarities between groups that otherwise might not understand each other or see any common ground. While our global economy and open lines of communication have broadened the possibilities available to each individual artist or craftsman, the influences of location on culture as a whole are undeniable.  As an art teacher, presenting art and geography in tandem is a natural choice.  I look at this mission as broadening my students' global perspective one project at a time.


What connections have you made that, while obvious to you, needed explanation to others?

Thursday, November 27, 2014

It's the little things.

by Elizabeth Van Allen

This Thanksgiving I am taking the time to remember and be thankful for the little things that really make life (and teaching) worth all of the time and energy I invest each day.  
Finding other anonymous customers at
5 guys who enjoy crayons as much as I do.

The privilege of being able to dress like 
an absolute fool for work and own it. 
Apparently this art teacher's effectiveness 
relates directly to my level of ridiculousness.

The color wheel clock that I found online.
Side note: last week a girl 'discovered' 
this 
clock on the wall, looked around for few 
seconds and said: "why are there so many 
color wheels in the art room?" I'm just happy 
she remembered what they're called!

The mural painted by 
volunteers in the hallway 
outside the art room
Food service workers
with a sense of whimsy
Having wonderful fur babies
who spoon when they snuggle


Good friends who, when finding that your phone was knocked off the wall and can't be reattached, say "I can fix that, where's your duct tape?" 45 minutes later, a masterpiece was born.  I have used this phone in class as an example of site-specific installation art, and to answer your question, it works perfectly to this day.  
Thanks, Ginna!  
The sweet little boy who asked me a few semi-personal
questions and then presented me with a family portrait
What little things are you thankful for?  

Tuesday, November 25, 2014

Fairy Art Mother: Evolution of a Costume

The original sketch for my costume
by Elizabeth Van Allen
scribblesbyartteachervanallen.blogspot.com/

Aaah, Halloween.  The one day a year when anyone can dress as anything and totally get away with it.  Of course as an art teacher, you tend to get a free pass for dressing a little oddly throughout the year.  We like to call it creative, others may label it eccentric, but I digress.  

My costume this year is nothing less than, well, a concentrated version of me.  I was inspired by a few posts I saw online to transform myself into your very own Fairy Art Mother.  Being  the person I am, it was accompanied by a one-day lesson complete with powerpoint, because what teacher's costume is complete without a curricular tie-in?
A more refined sketch developed as I assembled the costume

What is a Fairy Art Mother?  I'm so glad you asked!  Accrding to Tanya Cole,  a fairy art mother is a creature who will 
'banish any unwelcome gremlin sitting on my shoulder whispering negative thoughts in my ear.' Basically, she's someone who gives you encouragement to keep going when you feel like giving up and trashing your own artwork.  The idea originally came from Tamara Laporte’s Lifebook course (http://willowing.ning.com/), I drew inspiration and borrowed text from http://tanyaannecoleartist.com/2013/01/02/latest-creation-my-fairy-art-mother/.


The Finished Costume

I started each class by announcing that Ms. Van Allen was in a very messy and colorful accident involving quite a bit of paint and that I, her Fairy Art Mother, would be taking her place for the day.  The Costume was a complete success.  My principal couldn't look at me without laughing, my colleagues loved it, and the students actually started telling each other to call me fairy art mother instead of Ms. Van Allen.  I'll always remember being swamped by students 
within 30 seconds of stepping out into the schoolyard.  I'm not sure how I could possibly top this costume, but with only a year to plan I'd better get started! 


What are some of the most memorable teacher costumes you've seen or worn?

Tuesday, October 28, 2014

Art Room Transformation


Welcome to the Art Studio!
by Elizabeth Van Allen
for scribblesbyartteachervanallen.blogspot.com/

My art room is the size of a gym.  I'm certainly not complaining, even with the acoustical drawbacks (I have 2 story high ceilings- great for singing, horrible for talking) I really wouldn't trade it for anything.  Putting together a classroom is no easy feat for any teacher, but I feel that I have a unique challenge at the end of August before school starts each year.  


Your view as you enter the room

Taking such an enormous space and making it feel inviting while taking traffic patterns into account often feels monumental.   Especially since the room has to be left as a blank slate every June!  I may be a little late in the year for this type of post, but hopefully you can get a little inspiration as your own classrooms evolve through the school year.

The View From Our Sinks
Working Area: Before
Working Area: In Progress

Working Area: Finished

 From Above 
A whole new challenge: keeping students off an in-class stairway
From Above: In Progress
From Above: Before


From Above: Finished

The Studio
My biggest challenge: What do you do with a classroom-sized empty space with very little available furniture, and how do you keep it from becoming a race track / impromptu break dancing space?
This big empty space
could be a total nightmare...
High top tables with stools for two
with elementary age students gives me
uninvited premonitions of cracked skulls!
 ...so I moved some flat files and cabinets to break up the space without creating 
line-of-sight issues and added ribbons with clothespins to hang up lost projects! 
The high top tables serve two purposes:  as a quiet work area for older students and as a physical barrier between the carpets and projects drying on the countertops.

The carpet area mimics the area the younger grades have in their regular classrooms.  It's great for introducing book-based projects 
The carpet space is color-coded in the same way as the table rows in the work area.  This way I can keep younger students who have issues with each other apart and transition students to the other side of the room in an orderly fashion without having to remember names off the top of my head! 

 What unique challenges do you face in organizing your teaching or work space?

Thursday, June 5, 2014

“You're An Actual Teacher, Not Just An Art Teacher!”

by Elizabeth Van Allen 
for scribblesbyartteachervanallen.blogspot.com/

That statement, made by an English teacher, was honestly meant as a compliment. I decided to take it as it was intended. Until this was said to me, I didn't realize that my peers had no idea that my education in art and teaching was on par with or exceeded their own. I know that many art teachers (and music, PE, computers, etc.) often feel overlooked and under-appreciated. The truth is that we are required to be highly educated, qualified, and certified teaching professionals; often in more grade levels and with more subjects to cover than our 'core' teaching counterparts.

This all began near the beginning of the second semester when one of my co-workers was literally run over by a student who was chasing her friend around the classroom. The teacher ended up having emergency surgery and was on a health leave for the rest of that year. After a few weeks of unsuccessful substitutes, my principal made an executive decision and re-assigned several teachers to his classes for the rest of the year.

I was assigned to take over one of that teacher's 7th grade Social Studies classes with about a day's notice. After I had been with these students for about a week, a friend of mine started relaying positive comments about my teaching style that were made to her by another colleague. This pleasantly surprised English teacher's classroom happened to be on the other side of our shared folding wall. For anyone out there who has not had the pleasure of teaching in a school with fold-away walls, they do almost nothing to dampen the sound between two rooms. In the short time that I had been teaching in that room this previously out of control class that did nothing but yell, sing, fight and break things in the classroom was coming to class relatively on time, staying there, raising their hands to ask questions and adhering to a very rigid routine every single day. I used this opportunity to open a dialogue with my colleague next door. He soon started observing the class and taking notes on what I was doing to facilitate such progress, and I was happy to share my time and techniques with him.

The secret to my success with this class was simple. I provided these students with the same type of structure and firm adherence to rules that I use in my art classroom. My consistent behavior facilitated an atmosphere of respect and high expectations. Our routine was set in stone and the students knew what to expect every day. It's not that I had some magic formula, I simply enforced and reinforced my expectations of respect until it sunk in. It also didn't hurt that I don't flinch at calling any parent for negative behaviors or positive progress, be it after school or during class.


Classroom management in the art room should not be dependent on promises of paint, clay, or any other special material or experience. In fact, an art teacher's classroom management has to include having control over potentially dozens of children who are all using messy stuff and getting them all to clean up after themselves on a schedule. That we art teachers are 'actual teachers' is an understatement in my opinion. None of us are perfect and every class has different needs, but with honest dialogue between colleagues and minds that are open to different ideas, together we can make any class want to succeed.